What if a photograph were a piece of collective work?

Thank you Damien Faure (@befaure) who tweeted this to me. Corinne Vionnet is a Swiss-based artist whose specialty is historical monuments seen by hundreds. She superposes between 200 and 300 photos taken by tourists of a given monument. These works include lightly colored silhouettes which evoke passing time. To quote the artist: “Why do we always take the same picture, if not to interact with what

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already exists?…The photograph proves our presence. And to be true, the picture will be perfectly consistent with the pictures in our collective memory.” See more photos here!

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